![]() The seventh prelude, Ce qu'a vu le vent d'ouest ( What the West wind saw), brings about a violent and tumultuous feeling, while the La fille aux cheveux de lin ( The Girl with the Flaxen Hair)-the eighth-evokes a feeling of warmth and gentleness. Pianist and musical writer Paul Roberts asserts that this prelude, along with the two that immediately follow it, forms "the central arch" of Book I's structure, since the three pieces provide the most "dramatic contrast" out of all the preludes in the first book. Musical analysis Placement within Preludes, Book I ĭebussy was known for being extremely particular in organizing his preludes. It premiered later that year at the Salle Érard in Paris, with Debussy himself performing the work. The piece was first published in April 1910, along with the rest of his preludes from Book I. Critical music writer Victor Lederer states how the dates Debussy wrote at the top of some of his preludes are more likely the date he completed the pieces rather than the day he started writing them, given that some of them were quite long and musically complex. History ĭebussy dated this prelude December 27, 1909, a day after he wrote Les collines d'Anacapri. Furthermore, Debussy's inspiration from Russian composer Modest Mussorgsky is evident in this piece through his utilization of a "block-like dissonant chord" just before the middle part of the piece. ![]() This was an extremely popular backdrop among Impressionist artists like Claude Monet or Alfred Sisley the latter painted Snow at Louveciennes. ![]() David Schiff suggests that the inspiration for the title could have stemmed from a painting depicting a snowy landscape. The piece is one of four Debussy preludes in both books whose title origins are unknown. The prelude was, along with Danseuses de Delphes, one of the preludes Debussy believed should be played "entre quatre-z-yeux" (literally "between four eyes") meaning intimately, as if privately.īackground and influence La neige à Louveciennes (Snow at Louveciennes), by Alfred Sisley. ![]() The title is in French and translates to "Footprints in the Snow" The piece is 36 measures long and takes approximately three and a half to four and a half minutes to play. It is the sixth piece in the composer's first book of Préludes, written between late 1909 and early 1910. 1909 musical composition by Claude Debussy Claude Debussy performed the premiere of Des pas sur la neige himself in 1910.ĭes pas sur la neige is a musical composition by French composer Claude Debussy. ![]()
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